150,5 x 120,0cm - charcoal, crayon, acrylic, canvas Signed right: 16 FS [tied monogram] 84
(...) what I appreciate most are the things that reveal themselves spontaneously. I start to draw - and suddenly something emerges from these lines, lines. You have to swing your imagination, but a person is not ready for this at any time. You can only do workshop things at any time. But - there is a moment that is called inspiration: then I have a feeling as if the soul has four horns, like a pillow, and as if I grabbed one of these horns. It seems to me then that I can squeeze something out of this soul, but even this is no guarantee that I will say something important. For important things you have to wait until they are orchestrated - generally - by chance. Besides, one never knows if what seems important to me is really so. (Listen to the babble of the soul - with Franciszek Starowieyski interviewed by Elżbieta Dzikowska, "Radar" No. 38, September 18, 1986, p. 11)
♣ An additional fee will be added to the Purchase Price based on the right of the creator and his heirs to receive remuneration in accordance with the Law of February 4, 1994 - on Copyright and Related Rights (droit de suite).
Franciszek Starowieyski (Bratkówka near Krosno, July 8, 1930 - Warsaw, February 23, 2009), who used the pseudonym Jan Byk, studied from 1949 to 1952 at the Academy of Fine Arts in Cracow under Prof. Wojciech Weiss , after which he continued his studies at the Academy of Fine Arts in Warsaw, receiving his diploma in the studio of Prof. Michał Bylina in 1955. In the 1960s and 1970s, he gained the greatest recognition as a poster designer, in which he quickly rivaled the coryphaeuses of this art in Poland. He cultivated a poster of the author's type, with a recognizable style based on sweeping and at the same time calligraphic drawing, and above all surprising, surreal associations. From 1964 he was the art director of the fashionable monthly magazine "You and Me." With time, the predominance in his achievements gained "pure" drawing, since 1980 often presented in the form of dynamic sessions of the so-called "Theater of Drawing", with the participation of models, audience and the artist himself, fulfilling in it the role of demiurge. He created many painting and drawing compositions emanating a surreal atmosphere of life on the verge of physical decay, being a contemporary version of the vanitas theme. Fascinated by Baroque culture, the artist has been anti-dating all his works by 300 years since 1970. The artist was the recipient of numerous awards, which he won at such exhibitions as the Sao Paulo Art Biennale 1973, the International Film Poster Exhibition, Cannes 1974, the "Annual Key Award", Los Angeles 1978, among others. He was in New York on several occasions at the invitation of the Kosciuszko Foundation. In 1980 he was a professor at the Berliner Hochschule der Künste, in the 1990s he taught at the European Academy of Arts in Warsaw.