sign. p.d.: Jan Tarasin 73
signed on the reverse on canvas p.g.: JAN TARASIN 1973 | "FRAGMENT"
on the bottom bar of the loom sticker with no.: DI/4/71SBBB | 2 [in circle] and a sticker of the Fibak & Program Gallery with details of the painting.
on the upper loom strip: RESERVED p..... [illegible] 103 x 143 cm, next to 84 [in a circle], on the left and right lead strip digital and letter markings
Provenance:
The painting was in the collection of Wojciech Fibak.
Image exhibited, described, reproduced:
- Jan Tarasin. Painting and printmaking, Zapiecek Desa Gallery of Contemporary Art, Warsaw, March 1975, cat., ill. black and white [reversed photograph];
- Jerzy Olkiewicz, Tarasin's Fourth Dimension, "Art" 3/2/75, p. 34, ill. 2 color.
The 1970s brought the final crystallization of Jan Tarasin's peculiar, unique style of imagery. In fact, he remained faithful to it until the end. His canvases became pages of enigmatic records. Always running in horizontal lines, incomprehensible, so mysterious signs of "his writing" are sometimes interchangeable: large and small, loosely distributed or in a symmetry-distorting, chaotic density. Sometimes, though rarely, they are situated on a plane, more often suspended in an illusory space. [...] It is the constantly occurring changes in the size and density of marks and spots in his works that suggest spatial depths and the constant movement within them. And this does not have a purely formal meaning. [...] Tarasin's painting, as the artist sometimes described it, is meant to record the constant process of evolution, the rhythm of nature.
Bożena Kowalska, Great Absentees. Jan Tarasin (1926-2009), Sztuka.pl. Art and Antiques Market, X 2009, No. 10
♣ to the auctioned price, in addition to other costs, a fee will be added, resulting from the right of the artist and his heirs to receive remuneration in accordance with the Act of February 4, 1994 - on Copyright and Related Rights (droit de suite)
Jan Tarasin (Kalisz, September 11, 1926 - Warsaw, August 8, 2009) studied painting at the Academy of Fine Arts in Cracow under Prof. Zbigniew Pronaszko (1946-1951). While still a student, he debuted at the First Exhibition of Modern Art in Krakow in 1948/49. In the mid-1950s, he created a series of lithographs: "Nowa Huta and its inhabitants", 1954, "Home", 1955). In the former, he opposed official optimism, while in the latter, using still-life symbolism, he included existential content and referring to the recent drama of the war. After 1956, he began to paint non-figurative paintings. Arrangements of isolated elements (referred to as "objects") were placed by the artist on a plane (series "Interior", 1957) ), or in an allusive space (series "Feast", 1957, "Shore", 1962-1964, "Counted Objects", from 1968, "Antiquarian", 1968). This principle persists in his painting in the following years, the differences between the periods of his work are in the way of elaboration of "objects" and their location in the space of the painting or in relation to the background. Since the 1970s, "objects" are transformed into graphic, usually black marks on light backgrounds (series "Collection," since 1971). The backgrounds, in turn, are sometimes illusively spatial, varied in value, soft. In the 1990s, the artist returned to a colorful, more painterly solution of both signs and backgrounds, often dark or intermingled with "objects" (series "Hatchery of Objects", 1992). Tarasin has been a member of the "Cracow Group" since 1962. In 1963-67 he taught at the Faculty of Interior Design of the Academy of Fine Arts in Cracow. In 1967 he moved to Warsaw, in 1974 he took up teaching at the Faculty of Painting of the Academy of Fine Arts in Warsaw. In 1987-90 he was the rector of this university. In 1976 he received the Cyprian Kamil Norwid Art Criticism Award, in 1984 the Jan Cybis Award; Award at the MB of Art in San Marino 1965. In parallel with painting, he is involved in drawing and printmaking - lithography until the 1960s, serigraphy since 1974. In 1974-1981 he published 8 author's "Notebooks" with serigraphs and his own texts. In 1995, the artist's exhibition was held at the Zachęta Gallery, accompanied by a monographic catalog.
